New Music from IAMCHINO “AMOR” FEATURING CHACAL & WISIN
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[The 420] origins appear to lie in the escapades of a group of friends from San Rafael high school, northern California, in 1971. That autumn, the five teenagers came into possession of a hand-drawn map supposedly locating a marijuana crop at Point Reyes, north-west of San Francisco.
The friends — who called themselves the Waldos because they used to hang out by a wall — met after school, at 4:20 pm, and drove off on their treasure hunt. They never found the plot. “We were smoking a lot of weed at the time,” says Dave Reddix or Waldo Dave, now a filmmaker. “Half the fun was just going looking for it.” The group began using the term 420. So did friends and acquaintances, who included — at a couple of steps removed — members of the Grateful Dead rock band. The term spread among the band’s fans, known as Deadheads.
Then in 1990 Steve Bloom, an editor at High Times, saw 420 explained on a Grateful Dead concert flyer. Staff on the magazine, long the leading publication on marijuana, started using it.
In the mean time, Here is a mash-up by the King of Mash-ups “Voicedude”
“Let’s Blaze [Four Twenty]” featuring:
David Bowie – “Let’s Dance”
The Luniz – “I Got 5 On It”
Afroman – “Because I Got High”
Black Sabbath – “Sweet Leaf”
Family Guy – “A Bag O’ Weed”
Tom Petty – “Last Dance With Mary Jane” riff
+ Dr. Dre, and Cheech & Chong…
Friday Feel Good Quick Mix for April 2017
This month we have a special guest DJ all the way from Florida, DJ Fishy. We love the energy this mix. It makes us Feel Good. From Disco to House, This is pure Feel Good Music Right Here… Turn it up and piss off the neighbors. Thank you DJ Fishy for letting us showcase your talent.
Enjoy the Mix…
In yet another bizarre twist in the old “should I / shouldn’t I upload my mixes to SoundCloud?” conundrum, news comes this week of a way DJs can get paid for uploading their mixes to the service. It’s the first of our stories from around the web.
Mixes and remixes to the music-streaming service will now be able to monetize them for the first time, THUMP can exclusively reveal. As of today, SoundCloud is expanding its invite-only revenue-sharing program to include artists who create “recorded and live sets, remixes, and other user-generated content.”
SoundCloud’s Chief Content Officer Stephen Bryan told THUMP: “This will be the first time we’ve invited DJs and producers who create remixes and sets on SoundCloud to start to be able to monetize and participate in the revenue that we’re generating through ads and subscriptions.”
SoundCloud’s Premier program was launched in 2014 as a way for users to earn money off the work they upload to the platform. Like other revenue-share models, users who upload content to the platform are able to share in the income made through advertising and its two subscription services. SoundCloud’s competitors Apple Music and Spotify both have similar revenue models in place; the way these schemes work is directly tied to both the performance of the artist (how many plays they get) and the service overall.
“Revenue that’s generated through ads and subscription payments by consumers is divided up and paid out based on how content is consumed,” Bryan said. Although he did not specify the exact metrics used to determine how much artists will get paid, he said that payments are based on “share of engagement” and “listening time.”
While SoundCloud did not say exactly what criteria is used when determining if an artist will be invited into the program, a spokesperson said that current artists include Chance the Rapper, Little Simz, Metro Boomin, 21 Savage, StarRo, and Toni Romiti.
Last month SoundCloud launched a $4.99 a month subscription option, in addition to its existing $9.99 a month service. The platform currently has around 150 million tracks, including back-catalogs acquired via the deals it struck over the last few years with the three major labels—Sony, Universal, and Warner—as well as the digital rights agency Merlin that represents over 20,000 independent labels.
Since the deals were made, the takedown rate—something that has long plagued the site—has dropped by 40 percent in the last 12 months, a historic low for the company, according to a spokesperson. SoundCloud’s most recently available financial data revealed that the company is still loss-making, but that its revenue was up 20 percent from the previous year.
“This is the natural evolution of our mission, Bryan said. “The ability to make money on our platform from the creativity [the users] are contributing to the community.”
The Premier program is currently invite-only, however Bryan said the company is increasing the number of people invited daily. Those interested in signing up can register their interest on the SoundCloud website.
Anna Codrea-Rado is THUMP’s News Editor. Follow her on Twitter.
SOURCE: DIGITAL DJ TIPS